Woods – Bend Beyond [Review]

Sometime in June, before summer had sunk its teeth in, Woods announced their new album, Bend Beyond. Much excitement instantly circulated the alternative-folk scene; their track record has been consistently strong. Sun and Shade which was released last year was a personal favorite, and reassured the fans they were still on the right track.

Firstly, let me begin by saying Bend Beyond will not let you down. It’s a highly enjoyable, and extremely well executed album which demonstrates a maturity in both the songwriting and the production – which fits perfectly. The lo-fi indie-folk band from Brooklyn have a distinct sound, predominantly down to Jeremy Earl’s vocals, which this time round acquire a clarity like never before. It’s this factor for me that makes Bend Beyond different. Not only can you appreciate the layers of instruments that create their psychedelic sound, but the vocals are refined to the point where you can listen and enjoy the lyrics on a level which you couldn’t do before.

The first track, Bend Beyond sends you back to the woods, with their familiar riffs and guitar solos. It’s the longest track on the album, and paces itself nicely. It sets the tone that Woods is a band, not just Jeremy Earl. The second track, Cali in a Cup was in fact an early release, and has a nostalgic Super 8 music video to accompany it. This song is a prime example of the high quality production value they’ve got going.

One of my all time favorite songs by Woods was the final track on their last album, Say Goodbye. The gently strummed, stripped down style is apparent in a couple of tracks in Bend Beyond, most notably in It Ain’t Easy. It’s a moment of calm that engages you with the simpler harmonies and lyrics that Woods are so good at writing. It’s as essential as the much expected instrumental jams which remind you these guys are having fun making this music.

My top picks from the album would be, Back to the Stone and Is it Honest?, both encompass all that there is to love about Woods. The album is released as of today, and is available on iTunes.

Tracklist below.

  1. Bend Beyond
  2. Cali in a Cup
  3. Is it Honest?
  4. It Ain’t Easy
  5. Cascade
  6. Back to the Stone
  7. Find Them Empty
  8. Wind Was the Wine
  9. Lily
  10. Size Meets the Sound
  11. Impossible Sky
  12. Something Surreal

Here is Cali in a Cup and a few others to get you back in the zone.



Yuno [News/Listen]

A new artist named Yuno is making his first record and is in need of some help. He’s recording it all in his bedroom, and although he’s reached his $2000 goal, every other dime goes into new equipment and ultimately supporting his career as an artist.

Click here to go to his Kickstarter page where you can donate however much you wish, and in return have some goodies sent your way. Why donate? I admit, I don’t often support these projects, however I heard Yuno’s track Sunlight randomly on a blog and was instantly drawn to his sound. Formally known as, Unouomedude, Yuno’s dream pop song Sunlight will surely have you tapping your foot and singing along….and hopefully handing over your card details. Best of luck to him.

 

Arrange – New Memory [Listen]

The end of summer melancholy has started to descend upon my music library, and my current favourite is called Arrange. His slow synthy beats overlayed with shoegazy vocals summons a sound that’s best enjoyed loud and alone.

New Memory is Malcom Lacey’s latest album, after a handful of releases in the past two years. His songwriting carries an ongoing theme of loss and heartache which stem from an unfortunate abusive childhood. Despite this, the album consist of wonderful moments of uplifting instrumentals that keep your head turned in a positive direction . The ambient hum that compliments his tracks throughout will no doubt hinder understanding the spoken words during the first listen, but this results in you wanting to hit repeat and take it in again.

His music resembles artists such as Perfume Genius and Youth Lagoon, with electronic harmonies that echo the work of composers like Eluvium. The album is an enjoyable melancholic experience, but as Paul Lester from the Guardian puts it; “Not for the faint-hearted, but perfect for the heartbroken”.

Here’s the track Caves from New Memory which was released this year in July.

The XX – Coexist [Review]

One of the most striking features of the XX is their visual identity. It’s simple, effective and because they’ve so firmly stuck to it, it has become a firm compliment to their music as well as a bold statement about their ideas. That vision is now spread across two albums as the XX return with Coexist the follow up to their vastly successful and celebrated debut XX. It’s been an ongoing discussion in the office since the excitement surrounding the release of their mercury winning album subsided, just how they would follow it up – would they forge a new path and deviate from the already unique sound they revealed to the public back in 2009 or would they stick to their craft and further hone the sound they created. Personally because there’s no one else out there quite like the trio, I’ve been hoping for the latter. Yes there are similar artists in terms of the ideals and basic execution but no one does the dual vocals or carefully considered minimalistic sound like Romy, Oli and Jamie.

So maybe the important question is if you didn’t like the XX three years ago will Coexist be enough to lure you back in for another listen? Perhaps. It leaves the young, almost naive innocence of the debut for a more developed and focused sound that shows the extensive world touring the band has partaken in over the last three years. it also sounds a little more introspective, mature and the band have opened themselves to the use of their peers styles incorporating almost club suitable beats at moments. It’s remix friendly yet again and thoroughly cinematic – expect to see many of these tracks cropping up on adverts and campaigns post release. However, in turn there doesn’t seem to be any tracks that jump out on a first listen. This is a shame when thinking back to the debut with tracks like crystalized and VCR instantly standing out from the get go with catchy melodies and clever use of dual vocals. I have listened to the album extensively now and I’m not sure I could pick out a specific melody or moment. So it’s a different beast this time, and maybe a little harder to get into, but despite this it’s still a deeply rewarding album with absolutely stunning production. It’s warm basslines throb, subtle percussion layers in unobtrusively; the unmistakeable XX guitar tone is there and compliments the entwined vocals wonderfully. There’s a haunting fragility throughout which crackles with electric energy and there’s space for every instrument to breathe and stand out. It’s also stylish with new instruments being introduced to the sound, among them strings make an appearance and even a steel drum which is used to perfection on the suitably atmospheric Reunion. It’s exciting to listen to and demands a certain level of attention to get the most out of. What it lacks in catchy melodies it simply overflows with atmosphere and creativity throughout. It is genuinely exciting to listen to on a set of decent headphones in an undistracted moment.

There will be reviews that extensively praise the band for sticking to their sound and continuing that identity they have forged over onto a follow up record, there will also be reviews that slam them for staying safe and making the XX part two, not adventuring out to find a new sound. Either way, it’s unquestionable that the XX have serious talent and a sound that is very much their own. Coexist is an incredible album in so many respects and  though it only refines the sound the band created four years prior and even if it’s not your cup of tea, it definitely deserves your attention for at least one listen. The band have stuck staunchly to a vision and that’s commendable in its own right. It’s refreshing to hear something so thoughtful, genuine and exciting, and to know it’s being consumed and celebrated on a mass scale is truly wonderful.

Coexist is available for streaming here and is released on September 10th via Young Turks

Tracklisting below.

  1. Angels
  2. Chained
  3. Fiction
  4. Try
  5. Reunion
  6. Sunset
  7. Missing
  8. Tides
  9. Unfold
  10. Swept Away
  11. Our Song

Flying Lotus – Until The Quiet Comes [Video]

While Flying Lotus prepares Until The Quiet Comes for launch in a little under a months time we’re yet again teased, this time visually, with the bizarre yet beautiful short film by director Kahlil Joseph. From the three Flying Lotus tracks on show here; See Thru To U (feat. Erykah Badu), Hunger (feat. Niki Randa) and Getting There (feat. Niki Randa), it appears Steven Ellison has taken Flying Lotus to a whole new level with a thoroughly cinematic feel throughout that may or may not be aided by Josephs exciting and thought provoking visuals. It’s exciting and at a mere three minutes and fifty seconds, all too short.

Until The Quiet Comes releases on 1st/2nd October via Warp Records. I won’t go into too much detail as we covered the album the other month, but below are some tour dates for your diary.

September
23 Los Angeles, CA, Hollywood Bowl (w/ Animal Collective)

October
07 New York, NY, Terminal 5
12 Montreal, QC, Neon 
13 Toronto, ON, Danforth Music Hall
15 Detroit, MI, Majestic Theatre
16 Chicago, IL, Metro
18 Denver, CO, Ogden
19 Salt Lake City, UT, Urban Lounge
22 Vancouver, BC, Fortune Club
23 Seattle, WA, Neptune
25 Oakland, CA, Fox Theatre

November
04 Amsterdam, Netherlands, Paradiso
05 Leipzig, Germany, Conne Island
06 Paris, France, La Machine du Moulin Rouge
07 Fribourg, Switzerland, Fri-Son
08 Berlin, Germany, Gretchen
09 Manchester, UK, Manchester Warehouse Project
16 London, UK, The Troxy
23 Makuhari Messe, JP, electraglide festival