Back at the beginning of April we briefly covered neo-psychedelic rockers Temples and their rather magnificent single Shelter Song. Martin wrote, “The songs are louder, clearer and chocked full of instantly catchy hooks; unashamedly pulling in retro influences from acid era Byrds to (dare I say it) The Beatles – all brought up to date with some booming, breakbeat-esque drumming.” Now roll on a month and a bit and we can follow that up with their brilliant new single Colours To Life, due out 24th June. Continue reading
Finally here it is! Without further ado I present you with Brazil, the first single from Gold Panda’s upcoming album Half Of Where You Live. After January’s Trust EP left many salivating for the expected full-length follow up to 2010′s brilliant Lucky Shiner we finally have something to sink our teeth into and a date to pencil into the calendars for that very follow up.
Brazil is hypnotic, full of detail and a joy to listen to. Without a doubt Gold Panda through and through and while not a huge leap from previous material, that’s fine by me. Not many artists have that perfect balance between catchy songwriting and pure experimental sounding electronic bliss. If the album follows suit, fan’s will have nothing to worry about and it’ll be another wonderful record from one of Britain’s current finest electronic musicians.
Pre-order Half Of Where You Live over on the Wichita Recordings website
Additionally there’s a string of live dates coming up, I’ve been before myself and it’s well worth a look in. more details over on the Gold Panda website.
I’m a great fan of new takes on older music styles; recently I’ve been enjoying the resurgence in popularity of the neo-psychedelic sound, spearheaded by the success of groups like Tame Impala and The Amorphous Androgynous. Temples are a band that have recently caught our attention – since then, the single Shelter Song and its flipside Prisms have been on heavy rotation here at Universal Wax towers. Continue reading
Often a bands name is a statement of how they see themselves, sometimes it’s simply to grab the attention or to make a statement. Rarely a bands name is so synonymous with the music; a wonderful embodiment of what you hear and what you read on the page (or web browser in this case). Of course that’s all very subjective, and a sweeping statement of sorts, but take a look at that name, Slowly Rolling Camera, before you hit play and take a few seconds to imagine what you are about to hear. Continue reading
Directing duo Karni and Saul have collaborated with The Staves to create an absolutely stunning video for the first single from their debut album Dead & Born & Grow (November 2012). It’s wonderfully organic with a mix of techniques including hand drawn imagery and flash animation and gives a brilliant sense of depth and although the woodcut style is obviously an influence it apparently contains no stop-frame animation. It’s a very literal take on the subject and its beautiful animation and quirky characters are charming to behold.
The Staves are off on tour shortly with dates primarily across the UK, with a few European ones thrown in for good measure. Follow this link for a full list. Their debut is out now through Atlantic Records, available in all the usual places.
Sources: Creative Review Blog
Bonobo returns with The North Borders
This is old news if you saw it posted last week, but Bonobo makes a return this April with the release of his new album The North Borders. With the announcement he’s unleashed new track Cirrus as a free download. It’s got real groove and sounds a little more experimental than anything we’ve heard before from Simon. I’m especially looking forward to this one as it’s always been fascinating to see how Bonobo has evolved over the years. The artwork’s brilliant (click on the image to see the hires version for those who don’t want to ruin there eyes). The video for Cirrus is also worth a look with some great visuals that marry to the music perfectly. Don’t forget to do your music library a favour and grab yourself the free single.
The album’s due April 1st (2nd in North America), lets hope it’s not an April fools! There’s also some new live dates to accompany the new album, to make things easy head over to this link for a full (and fairly extensive) listing. Continue reading
While Flying Lotus prepares Until The Quiet Comes for launch in a little under a months time we’re yet again teased, this time visually, with the bizarre yet beautiful short film by director Kahlil Joseph. From the three Flying Lotus tracks on show here; See Thru To U (feat. Erykah Badu), Hunger (feat. Niki Randa) and Getting There (feat. Niki Randa), it appears Steven Ellison has taken Flying Lotus to a whole new level with a thoroughly cinematic feel throughout that may or may not be aided by Josephs exciting and thought provoking visuals. It’s exciting and at a mere three minutes and fifty seconds, all too short.
23 Los Angeles, CA, Hollywood Bowl (w/ Animal Collective)
07 New York, NY, Terminal 5
12 Montreal, QC, Neon
13 Toronto, ON, Danforth Music Hall
15 Detroit, MI, Majestic Theatre
16 Chicago, IL, Metro
18 Denver, CO, Ogden
19 Salt Lake City, UT, Urban Lounge
22 Vancouver, BC, Fortune Club
23 Seattle, WA, Neptune
25 Oakland, CA, Fox Theatre
04 Amsterdam, Netherlands, Paradiso
05 Leipzig, Germany, Conne Island
06 Paris, France, La Machine du Moulin Rouge
07 Fribourg, Switzerland, Fri-Son
08 Berlin, Germany, Gretchen
09 Manchester, UK, Manchester Warehouse Project
16 London, UK, The Troxy
23 Makuhari Messe, JP, electraglide festival
Chris Helme returns with The Rookery, the follow up to the 2008 excellent long player Ashes. Helme is most famous for being the frontman in the post Stone Roses band The Seahorses created by John Squire. Squire had found Helme when one of his longtime guitar technicians discovered him busking outside a shop in York city center. The Seahorses released their album Do It Yourself in 1997 and instantly shot to fame on the back of the then flourishing britpop scene and the prominence granted by John Squire being in the band. After three hit singles and two years of successful touring the band fragmented whilst writing their second album, mainly due to clashes between Helme and Squire over the new material.
Now with the legacy of The Seahorses fading, especially with the reformation of the Stone Roses getting so much attention, it is great to see Helme forging ahead with his solo career.
Returning with a beautiful and more mature tone, the new album follows on from Ashes with a dreamy indie-folk sound, slightly reminiscent of The Coral and early Gomez. The opening track is the instrumental Pickled Ginger, an almost perfect piece of english folk leaving the britpop days of The Seahorses as a distant memory. As the album grows, simple arrangements are bolstered with the gentle use of a string quartet and confident songwriting.
The track Plane demonstrates this beautifully and is a highlight of the first part of the album, showcasing Helme’s soulful vocal talent.
Listen to a clip of Plane below:
This is then followed by the excellent The Spindle And The Cauldron which adds a hint of early Led Zeppelin to the mix, with suitable melancholic vocals about an ethereal mysterious girl at his window.
Listen to a clip of The Spindle And The Cauldron below:
The track Pleased steers the sound in a further bluesy direction with Daddies Farm adding a upbeat edge to proceedings and Set In Stone bringing back the subtle orchestration. The rich layered production of the whole album really compliments Helme’s vocals and it’s amazing to believe that the whole record was produced in just nine days in the Yorkshire dales.
This is a great album, a gentle, laid back journey, expertly crafted with a good mix of soulful ballads and melodic acoustic rock – all held together with some thoughtful lyrics and excellent vocal talent.
Helme has also announced a series of gigs around the country and is well worth seeing live. More information at chrishelme.co.uk
Sep 2nd – Alt.Fest, Fulford Arms, York
Sep 6th – Fulford Arms, York (with Mark Morriss of the Bluetones)
Sep 7th – Ku Bar, Stockton (with Mark Morriss of the Bluetones)
Sep 8th – The Acoustic Gathering, Scarborough
Sep 21st – Burns, Irvine
Oct 2nd – Surya, Kingscross, London
Oct 7th – Rock Your Mind Festival, Middlesbrough
Oct 12th – Kings Hall, Herne Bay (with Simon & Oscar of Ocean Colourscene)
Nov 3rd – Venue Cymru, Cardiff
Nov 4th – Hare & Hounds, Birmingham
Nov 9th – Voodoo Rooms, Edinburgh
Nov 10th – Tollbooth, Stirling
Nov 23rd – The Square, Harlow (with Mark Morriss of the Bluetones)
Dec 22nd – Cumbernauld Town Hall, Cumbernauld, Scotland (with Mark Morriss of the Bluetones)
After the superb debut tracks from The Revival Hour released late last year (see my writeup from back in April), the band finally have some news to share with the announcement of the duos debut EP Clusterchord which will be releasing 5th of November on Antiphon; a prelude to the bands debut album which will follow early 2013.
In the meantime however we’ve been treated to Pyre, a sample if you will from the Clusterchord EP. It’s nice to hear The Revival Hour’s sound back and with all the grandeur of the previous two tasters, although dialled back from the simply epic Hold Back, it’s still a big sound. This time maybe slightly mellower, more reflective and a little less overdramatic in its entirety, but definitely The Revival Hours sound through and through. Pyre is a great teaser for what’s to come. November seems too far away…
On another note, The Revival Hour are embarking on their first tour of the UK, dates are below.