Eluvium – Nightmare Ending [News]

Little introduction is needed for Matthew Cooper, the mastermind behind Eluvium. For 10 years he has produced music that consistently impresses fans and critics worldwide.

His last full length LP (not including his mini album Static Nocturne) was Similes (2010), which for the first time featured Matthew’s vocals. I personally love this album and rate it as highly as his other more notable releases such as, Copia (2007) and Talk Amongst the Trees (2005).

After three years, Matthew has announced that he’ll be releasing a new full length album on May 14th called Nightmare Ending which he describes as a “fully instrumental affair“. So far he has released two tracks from the new album, Don’t Get Any Closer and Envenom Mettle.
Continue reading

Saturday’s ambient sounds [Listen]

6288724084_59c1edbd9e_z

I’ve recently been revisiting some of my favorite ambient artists and making some new discoveries. I thought I’d do a little roundup of what I’ve been daydreaming to for the last week.


Rhian Sheehan & Helios

Keith Kenniff AKA Helios released an album of his previously released songs that have been remixed by a variety of artists. Halving The Compass is one of my all time favourite Helios tracks, and was recently remixed by Rhian Sheehan, an award winning musician from New Zealand. Rhian Sheehan put the ambient scene in awe with his 2008 album, Standing in Silence. I genuinely can’t think of a better composer to remix this track. The pacing and intimate sounds of the piano are perfect.


Continue reading

Arrange – New Memory [Listen]

The end of summer melancholy has started to descend upon my music library, and my current favourite is called Arrange. His slow synthy beats overlayed with shoegazy vocals summons a sound that’s best enjoyed loud and alone.

New Memory is Malcom Lacey’s latest album, after a handful of releases in the past two years. His songwriting carries an ongoing theme of loss and heartache which stem from an unfortunate abusive childhood. Despite this, the album consist of wonderful moments of uplifting instrumentals that keep your head turned in a positive direction . The ambient hum that compliments his tracks throughout will no doubt hinder understanding the spoken words during the first listen, but this results in you wanting to hit repeat and take it in again.

His music resembles artists such as Perfume Genius and Youth Lagoon, with electronic harmonies that echo the work of composers like Eluvium. The album is an enjoyable melancholic experience, but as Paul Lester from the Guardian puts it; “Not for the faint-hearted, but perfect for the heartbroken”.

Here’s the track Caves from New Memory which was released this year in July.