New Bonobo album announced, The Revival Hour’s debut and Emancipator’s new release out now [News]

Si Green Bonobo

Bonobo returns with The North Borders

Bonobo The North BordersThis is old news if you saw it posted last week, but Bonobo makes a return this April with the release of his new album The North Borders. With the announcement he’s unleashed new track Cirrus as a free download. It’s got real groove and sounds a little more experimental than anything we’ve heard before from Simon. I’m especially looking forward to this one as it’s always been fascinating to see how Bonobo has evolved over the years. The artwork’s brilliant (click on the image to see the hires version for those who don’t want to ruin there eyes). The video for Cirrus is also worth a look with some great visuals that marry to the music perfectly. Don’t forget to do your music library a favour and grab yourself the free single.

The album’s due April 1st (2nd in North America), lets hope it’s not an April fools! There’s also some new live dates to accompany the new album, to make things easy head over to this link for a full (and fairly extensive) listing. Continue reading

Gold Panda – Trust EP [Listen]

Gold Panda

2013 is off to a good start with album announcements left, right and centre. It seems we’re in for an excellent year in electronic music, in particular with Emancipator and Bonobo having announced new albums and free singles to accompany press releases. After a scattering of 12 and 7″ releases, Gold Panda is joining them and making a return after 2010′s joyous debut Lucky Shiner with his Trust EP, the first new material released since last May.

Continue reading

Emancipator – Minor Cause [News/Listen]

Here’s a nice midweek surprise, Emancipator will be releasing his new album Dusk to Dawn on the 29th January. Yes it really is that close!

Emancipator Dusk to Dawn announcement

The record drops on Doug Appling’s new imprint Loci Records (which had it’s debut release last month with the rather superb TorDrum Therapy).  It’s been a while now since 2010′s Safe in the Steep Cliffs and after the extensive touring that followed the album it’ll be nice to hear some brand new tracks starting with the first single Minor Cause. The track is a free download over on the Loci Records bandcamp page and it’s a gorgeous slice of lush downtempo with beautiful instrumentation including the trademark strings, trip hop elements and electronics bubbling around in the background. It’s beautiful and if this is anything to go by January 29th will be an exciting release for Loci Records.

Check out Minor Cause below and head over to bandcamp to grab yourself a copy.

Steve Mason – Fight Them Back [Watch]

steve-mason-001

Steve Mason formerly of the Beta Band, Black Affair and King Biscuit Time has announced a new solo album – Monkey Minds In The Devil’s Time. The album has been shaped by the current global political climate and the lack of dissenting voices in music as well as popular culture in general. The follow up to 2010s excellent Boys Outside is due for release March 11th 2013 and features 20 tracks recorded in both London and his own studio in Fife.  Continue reading

Poppy Ackroyd – Escapement [Review]

Poppy Ackroyd has had a busy year it would seem. Many will know her as the talented violinist and pianist of the Hidden Orchestra whose superb second album launched in September to a positive review from us, however there appears to be a lot more to her than that. The classically trained Edinburgh based musician is now close to the release of her debut solo effort Escapement (due December 2012). A heartbreakingly beautiful record of intricate and very delicate compositions made exclusively, bar the odd field recording here and there, using the piano and the violin. It’s a wonderful idea and is executed to perfection to the point if you weren’t aware this was the case you probably wouldn’t question it. Continue reading

Darkstar – Timeaway [Listen]

Darkstar the northern english electronic music trio return with their new track Timeaway from the forthcoming album News From Nowhere. The group rose to prominence with the 2009 track Aidy’s Girl Is a Computer which was featured on the influential Hyperdub Records compilation 5: Five Years of Hyperdub. The group’s unique sound blended the style of the emerging dubstep movement with an uplifting melodic synth pop edge. Continue reading

Fat Freddy’s Drop – Silver And Gold [Listen]

Here’s a little something for the weekend, Fat Freddy’s Drop have returned with Silver And Gold, the first single from new album Blackbird, due early 2013. As has been the case throughout the bands thirteen year career, it’s a fabulous marriage of dub and blues with grooves that belong on the dance floor. The album’s not far off and Silver And Gold is one hell of an exciting tease. It’s also a FREE download, so grab it while it’s hot!

Hidden Orchestra – Archipelago [Review]

Like Nightwalks before it, Archipelago is a triumphant body of work with rich and detailed production, soaring instrumentation and a staunch visual identity complimenting it’s predecessor and reaffirming Joe Acheson as a master of his craft. Straddling jazz, electronic, ambient, hip-hop and classical as before, It’s also a considerably more varied effort with tracks that shake off the darker claustrophobic atmosphere of Nightwalks and open up to a wider, reenergised and genuinely further refined record.

Overture confidently opens the album with cuts from the rest of the record making fleeting appearances and building into a full track before debut single Spoken brings it down and starts all over again. It is an incredibly evocative piece with field recordings from the Outer Hebrides complimenting the record sleeves beautiful etched visuals. It’s this level of thoughtfulness that separate the Hidden Orchestra from their peers. The tracks run like the tides, building up and receding gracefully with layer upon layer being introduced and creating a bold tension; the dual drum kits playing off each other, teasing and coaxing the music forward. It’s brilliantly clever stuff and a pleasure to listen to, this isn’t a record to be relegated to background music but one to take the time to learn its nuances and be utterly absorbed by.

It’s varied throughout with other double AA single Vorka being positively playful and contrasting with tracks such as Reminder which have distinctly darker tones before straying close to a sound reminiscent of ex label mate Bonobo on Seven Hunters. It’s also worth mentioning Archipelago is overflowing with guest talent. Czech musician/composer Floex joins cellist Su-a LeeMary MacMaster and Phil Cardwell who accompany core members Joe AchesonPoppy GrahamTim Lane and Jamie Graham. Each bring their own element to Archipelago and sound perfectly suited.

On its own Archipelago is an absolutely fantastic record. Executed with both skillful musicianship and talented song writing it is without a doubt one of the more beautiful, poetic and downright cinematic albums you will hear this year; however taken as a companion to Nightwalks it really shines as one of the most focused and exciting records on the UK music scene. You could accuse the Hidden Orchestra of staying a little too true to their template but think of the considered evolution of their sound combined with Joe Achesons overall vision for Hidden Orchestra and it brings the tantalising imagery of the greatest trilogies of our culture to mind. Let’s hope this is the Hidden Orchestras Empire Strikes Back and not the Godfather Part II (we all know where that trilogy went after that).

The XX – Coexist [Review]

One of the most striking features of the XX is their visual identity. It’s simple, effective and because they’ve so firmly stuck to it, it has become a firm compliment to their music as well as a bold statement about their ideas. That vision is now spread across two albums as the XX return with Coexist the follow up to their vastly successful and celebrated debut XX. It’s been an ongoing discussion in the office since the excitement surrounding the release of their mercury winning album subsided, just how they would follow it up – would they forge a new path and deviate from the already unique sound they revealed to the public back in 2009 or would they stick to their craft and further hone the sound they created. Personally because there’s no one else out there quite like the trio, I’ve been hoping for the latter. Yes there are similar artists in terms of the ideals and basic execution but no one does the dual vocals or carefully considered minimalistic sound like Romy, Oli and Jamie.

So maybe the important question is if you didn’t like the XX three years ago will Coexist be enough to lure you back in for another listen? Perhaps. It leaves the young, almost naive innocence of the debut for a more developed and focused sound that shows the extensive world touring the band has partaken in over the last three years. it also sounds a little more introspective, mature and the band have opened themselves to the use of their peers styles incorporating almost club suitable beats at moments. It’s remix friendly yet again and thoroughly cinematic – expect to see many of these tracks cropping up on adverts and campaigns post release. However, in turn there doesn’t seem to be any tracks that jump out on a first listen. This is a shame when thinking back to the debut with tracks like crystalized and VCR instantly standing out from the get go with catchy melodies and clever use of dual vocals. I have listened to the album extensively now and I’m not sure I could pick out a specific melody or moment. So it’s a different beast this time, and maybe a little harder to get into, but despite this it’s still a deeply rewarding album with absolutely stunning production. It’s warm basslines throb, subtle percussion layers in unobtrusively; the unmistakeable XX guitar tone is there and compliments the entwined vocals wonderfully. There’s a haunting fragility throughout which crackles with electric energy and there’s space for every instrument to breathe and stand out. It’s also stylish with new instruments being introduced to the sound, among them strings make an appearance and even a steel drum which is used to perfection on the suitably atmospheric Reunion. It’s exciting to listen to and demands a certain level of attention to get the most out of. What it lacks in catchy melodies it simply overflows with atmosphere and creativity throughout. It is genuinely exciting to listen to on a set of decent headphones in an undistracted moment.

There will be reviews that extensively praise the band for sticking to their sound and continuing that identity they have forged over onto a follow up record, there will also be reviews that slam them for staying safe and making the XX part two, not adventuring out to find a new sound. Either way, it’s unquestionable that the XX have serious talent and a sound that is very much their own. Coexist is an incredible album in so many respects and  though it only refines the sound the band created four years prior and even if it’s not your cup of tea, it definitely deserves your attention for at least one listen. The band have stuck staunchly to a vision and that’s commendable in its own right. It’s refreshing to hear something so thoughtful, genuine and exciting, and to know it’s being consumed and celebrated on a mass scale is truly wonderful.

Coexist is available for streaming here and is released on September 10th via Young Turks

Tracklisting below.

  1. Angels
  2. Chained
  3. Fiction
  4. Try
  5. Reunion
  6. Sunset
  7. Missing
  8. Tides
  9. Unfold
  10. Swept Away
  11. Our Song

The Revival Hour – Pyre / Clusterchord EP [Listen/News]

After the superb debut tracks from The Revival Hour released late last year (see my writeup from back in April), the band finally have some news to share with the announcement of the duos debut EP Clusterchord which will be releasing 5th of November on Antiphon; a prelude to the bands debut album which will follow early 2013.

In the meantime however we’ve been treated to Pyre, a sample if you will from the Clusterchord EP. It’s nice to hear The Revival Hour’s sound back and with all the grandeur of the previous two tasters, although dialled back from the simply epic Hold Back, it’s still a big sound. This time maybe slightly mellower, more reflective and a little less overdramatic in its entirety, but definitely The Revival Hours sound through and through. Pyre is a great teaser for what’s to come. November seems too far away…

On another note, The Revival Hour are embarking on their first tour of the UK, dates are below.

Tuesday 20 November – MANCHESTER – Band On The Wall (£9)
Wednesday 21 November – LEEDS – Brudenell (£10)
Thursday 22 November – LIVERPOOL – Parr St Studio 2 (£9)
Friday 23 November – NORWICH – Arts Centre (£9 adv/ £11 door)
Monday 26 November – BRIGHTON – Komedia (£10)
Tuesday 27 November – BRISTOL – Louisiana (£10)
Wednesday 28 November – EXETER – Phoenix (£9)
Thursday 29 November – LONDON – Village Underground (£10)  
Friday 30 November – OXFORD – Jericho (£9)