I first learned about the Icelandic band Sigur Rós in 2008. It had just stopped raining and I was sitting outside my tent at the Lowlands Festival waiting for some sun. My tent was located close to one of the stages and I could hear this music coming from there that suited the weather and festival feeling perfectly. And if it wasn’t the music, I would at least have noticed the crowd which exploded in a deafening applause every 15 minutes or so. Even though I was as close to the stage as the bird flies, actually getting there would have cost me at least 45 minutes, so I decided to stay. And that is how I enjoyed the music of Sigur Rós at what would later be known as the most legendary concert at Lowlands ever. Continue reading →
Random Access Memories (RAM) is the fourth studio album from Daft Punk and was released following an intensive promotional campaign, including teaser commercials on SNL. The campaign lead to much anticipation and hype and now we can finally listen to the result of five years of development.
Daft Punk has always been trying out new directions and have been at the forefront of EDM since their first record. This time they lead us both back, as well as forward in time. With funky songs that remind you of old disco classics and music from the seventies and eighties they try to – as one of their songs is called – “Give Live Back To Music”. They are definitely trying to make a statement with this album; by hardly using any samples and heavy use of real instruments they have tried to find a new form of dance music, maybe reflecting David Grohl’s words on the lack of a human element in EDM. One way they did this is by collaborating with many artists who have inspired them over the years. To name a few: Pharrell Williams, Nile Rodgers, Paul Williams and Panda Bear are featured in one way or another during the trip that is this album. The song “Giorgio by Moroder” features a short interview with Giorgio Moroder and that serves as a great example to show the amount of detail that was put into the production of the record. From using the best available studios and equipment, to the tiniest details nobody will notice. For example 3 different microphones were used in the recording of the interview with Giorgio Moroder. One from the sixties, one from the seventies and a modern one. The one used is linked to the different time period he was talking about.
This sort of detail won’t be noticed by most of the (casual) listeners and that may be the only problem with RAM. This is more a listeners record than a club album and people who were fans mostly for the electronic part of or their portfolio might feel a little left out. But make no mistake, this is still a Daft Punk album. A lot of the recognizable elements are there including the synthesized robotic voices and funky danceable beats. Also the record closes with the song “Contact” (stemming from a 2002 performance) that is more in line with the previous work, like the TRON soundtrack. It’s just that RAM is so much more than that, what makes this the best Daft Punk album for me. I originally wanted to write that the album is very good, but not worth the full hype. But it just might be. It keeps growing on me the more I listen to it, which has been pretty much non stop the last week.
Unfortunately Daft Punk have announced they will not tour in 2013, but the album is out now and available from iTunes.