I love those mornings when you wake up, hazily grab your phone (usually to silence the incessant drone of the alarm), catch up on your RSS/Facebook/Twitter etc and are greeted by a brand new track by one of your favourite artists. A nice morale boost to the day.
So this morning I did just that and by the time I’d grabbed my keys and was on my way out the door I’d already listened to Tycho’s new track five or six times and was feeling all the more chipper as a result.
I love where Scott is taking Tycho; as familiar as ever but brighter, bolder and with increasing confidence. It feels more organic, more expansive and crackles with energy. Maybe that’s to be expected with his move away from solo artist, embracing the band and touring Awake extensively for two years. I’m excited.
Check it out.
The new as yet untitled album is due out on Ghostly International in 2016.
If you’re in the US you can catch Tycho at one of the remaining 2016 shows.
TYCHO 2016 TOUR DATES
JUL 02 – Chicago, IL – Mamby on the Beach
SEP 17 – Morrison, CO – Red Rocks Amphitheatre (w/ Lotus, El Ten Eleven)
SEP 22-24 – Thornville, OH – Resonance Music & Arts Festival
SEP 24-25 – St. Louis, MO – Murmuration Festival
OCT 15-16 – San Francisco, CA – Treasure Island Music Festival
Toward the end of last month Kratos Himself dropped his new EP A Town Called Imaginarium. Days later I stumble upon it on another enlightening bandcamp weekly and before I know it, it’s found a permanent place on my computers hard drive.
Satisfying my eardrums immensely for the last week, the Dutch downtempo wizard has released a fine slice of electronic music which encompasses a slight world music vibe, warm bass, chilled beats and some organic and delicate production. It’s by the numbers, but when the numbers sound this good there’s nothing to complain about. Kratos Himself, or Jethro Hopmans as he is otherwise known, has caught my attention and has me positively salivating for a full length of this calibre.
You can pick up A Town Called Imaginarium for ‘buy now or name your price’ over at bandcamp.
1. Imaginarium (03:57)
2. Remember (04:54)
3. Ayahuasca (04:38)
4. Lucid (05:31)
5. This Town (04:08)
6. Don’t Call Me (06:02)
7. Till We Meet Again (05:16)
Basic//Complex is a surprise, not to discredit Polytype whatsoever, but this is a deep and rewarding album that manages to pluck ideas from various genres and meld a wonderful, warm yet precise sound that works so well you might not have seen it coming and may be left in your playlist for weeks to come. Continue reading →
As the sun finally beats down on England and the days reach their longest of the year it’s high time we had some music to go with the weather and Damien Beebe, or Day as he is better known, delivers with one of the freshest and summeriest records of the year.
Land of 1000 Chances is a wonderful collection of instrumentals crammed with catchy melodies and soulful vocal samples effortlessly blending jazz and downtempo grooves to give that classic hip-hop vibe. It’s cut and paste nature moves it along at a steady pace, shifting continuously but never out of character, diverse yes but also tastefully mixed.
The idea for all of this was to go back to my roots and encapsulate the last few years of what was going on in my life. I needed to get away from the clean, over-produced music I was making that had slowly put me in a creative corner cover the last 5 years. I was stuck. It’s not in me to make electronic music (I suck at it to be honest) and I didn’t want to re-hash the cut and paste stuff I had done before, so what the fuck do I do now? I go back. Back to the first album I ever made in a bedroom in Palm Springs with an EPS, my cousins drum kit and some records. I had to get back to where I came from in order to harness where I was now. Fuck layering and smothering songs to oblivion. These needed to breathe. Keep it intentionally sparse and simple. It had to be about creating a vibe and sticking to it. Not throwing in a random dance cut or having it cluttered with guests. It had to be honest and real. Somewhere along the way, I ended up drinking way too much, traveling and hanging out way too much and on the precipice of divorce. They say write what you know, so I did. – Day
It may not be that adventurous, nor entirely unique, but it’s undoubtedly well crafted and that’s all we ask for in a record like this. Suitable for driving with the windows down soaking up those summer vibes, or laying on a warm beach with a beer this record suits the sunny season no end.
Fuck Buttons are finally back with a new album. Out 22nd of July in the UK (23rd for the US) the new record is titled Slow Focus and follows the brilliant 2009 release Tarot Sport; a wonderful building wall of distortion, pounding rhythms and blissful electronics that was backed by one of the greatest live experiences I have ever had. They’ve had a few exciting years culminating in tracks being used at the recent Olympics opening ceremony.
This time around pitchfork reports that Slow Focus will be a self produced effort released via ATP Recordings. Debut Street Horrrsing was produced by Mogwai guitarist John Cummings and Tarot Sport by Andrew Weatherall.
Slow Focus comes in at just 7 tracks so expect some epic pieces as before.
02 Year of the Dog
03 The Red Wing
05 Prince’s Prize
07 Hidden XS
We’ll update as soon as any tracks or audio previews become available.
Back at the beginning of April we briefly covered neo-psychedelic rockers Temples and their rather magnificent single Shelter Song. Martin wrote, “The songs are louder, clearer and chocked full of instantly catchy hooks; unashamedly pulling in retro influences from acid era Byrds to (dare I say it) The Beatles – all brought up to date with some booming, breakbeat-esque drumming.” Now roll on a month and a bit and we can follow that up with their brilliant new single Colours To Life, due out 24th June. Continue reading →
Finally here it is! Without further ado I present you with Brazil, the first single from Gold Panda’s upcoming album Half Of Where You Live. After January’s Trust EP left many salivating for the expected full-length follow up to 2010’s brilliant Lucky Shiner we finally have something to sink our teeth into and a date to pencil into the calendars for that very follow up.
Brazil is hypnotic, full of detail and a joy to listen to. Without a doubt Gold Panda through and through and while not a huge leap from previous material, that’s fine by me. Not many artists have that perfect balance between catchy songwriting and pure experimental sounding electronic bliss. If the album follows suit, fan’s will have nothing to worry about and it’ll be another wonderful record from one of Britain’s current finest electronic musicians.
Derek Vincent Smith, otherwise known as Pretty Lights returns on the 2nd of July 2013 with A Color Map of the Sun, his first full length since 2009’s Passing By Behind Your Eyes. The first single Around the Block is already available as a free download from Pretty Lights’ website and is much in the trend of recent Pretty Lights tracks with glitchy electronic flourishes, deep bass and big beats; however it also returns to a slower more hip-hop focused sound with vocals from Talib Kweli. Continue reading →
Junip have released another music video from the upcoming self-titled Junip – follow up to 2010’s debut full length Fields. It might just take the crown for being the creepiest music video I have seen in a long time. Continue reading →
Sweeping, cinematic, vibrant, beautiful, epic, delicate, bold, calm, majestic. It’s pretty easy to roll off a list of adjectives for this absolutely wonderful record as Rhian Sheehan returns with the impossibly beautiful and uncompromisingly compelling Stories from Elsewhere. Continue reading →