It’s shamefully been 2 months since we post. Sorry for the absence, but I think we all needed time to absorb some music, and what better way to kick back into gear with this fantastic artist.
How Sad released their debut EP Indian Summer on the 20th of August. I had previously had their early release track Indian Summer on repeat and have been eagerly awaiting more from the Canadian indie pop group. This is feel-good music, the kind you can’t help but share around with your friends. I can’t stress enough how much I think you should spare £3 from your pocket and download it. I’m going to post my two favourites from the EP, Hot Blur and Indian Summer, but make sure to check out the rest if you feel it’s your kinda thing.
I usually have the music that is submitted to us playing in the background while I work, and once in a while I stop, turn it up and go, ‘wait who is this?‘. I’ve just finished listening to AOU’s new demo EP and didn’t want to waste a minute in sharing it with you.
AOU, are a new musical collective based between London and Paris. Their style is described as indie/electro/tropical and they’re influenced by groups ranging from Kraftwerk and Joy Division to Metronomy and Air. Personally I feel they have a similar sound to Lower Dens with their progressive rocky beats and melodic vocals.
AOU are William Moreau, Guy Stevenson, Quentin Sarda and Mattis Moviken. The group came together in 2012, each member hail from different musical backgrounds which contribute to their unique sound. Their EP is currently available to stream and free to download for a limited period from thier website, get it while it’s hot: www.aouband.co.uk
James Holden talking about writing Blackpool Late Eighties:
‘Ah! I wrote this one in an airport hotel in Schiphol. I couldn’t catch my flight because of snow, so I took the train, bought a big bag of weed, came back to the hotel for the night and wrote that. I told you about Blackpool already. This song has the warmest kind of VHS-nostalgia.
Normally I don’t write on the road, but now since I had a bag of weed it seemed like a good idea. Otherwise a hotel room is just a low-oxygen environment and then I don’t really am in the mood for it. I started Ableton Live and found all the free VSTs (Virtual Studio Technology – digital music instruments ed.) I could download with the hotel room internet. Afterwards I touched it up in the studio.’ www.trouwamsterdam.nl
Some incredible folk artists have been emerging from Sweden during the last few years. Idiot Wind is the pseudonym of singer-songwriter Amanda Bergman. She’s married to Kristian Matsson aka Tallest Man On Earth, and without drawing too many comparisons to their styles; they most definitely share a skill in writing original songs that engage with the listener on an personal level and pack a powerful emotional punch. Continue reading →
Little introduction is needed for Matthew Cooper, the mastermind behind Eluvium. For 10 years he has produced music that consistently impresses fans and critics worldwide.
His last full length LP (not including his mini album Static Nocturne) was Similes (2010), which for the first time featured Matthew’s vocals. I personally love this album and rate it as highly as his other more notable releases such as, Copia (2007) and Talk Amongst the Trees (2005).
After three years, Matthew has announced that he’ll be releasing a new full length album on May 14th called Nightmare Ending which he describes as a “fully instrumental affair“. So far he has released two tracks from the new album, Don’t Get Any Closer and Envenom Mettle. Continue reading →
So here we are with the final four albums of our twelve that make up the Universal Wax top 12 of ’12. This time it’s Toms selection which is as broad as ever and features some really fantastic records. I couldn’t agree more with the inclusion of the Journey OST which has been one of the most beautiful scores I’ve heard for a long time and as any long time readers may recall we’re already big Andrew Bird fans here at Universal Wax. This will be our final post of 2012, however we’ll be following this one up in the new year with our notable mentions (those that didn’t quite make our top twelve) and some upcoming artists to look out for in 2013. In the meantime, from all at Universal Wax, we hope you have had a wonderful Christmas and are about to have a fantastic New Year, enjoy our now complete Universal Wax Top 12 of ’12 and let us know what you think in the comments below! – Sam
Welcome back for part two of the Universal Wax Top 12 of ’12. Our twelve albums of the year and why you should check them out. Part One covered Sams four albums of the year which included Beth Orton and her wonderful return with Sugaring Season, De La ManchaThe End* of Music, Lilacs and Champagnes self titled debut and finally the outrageously catchy Port of Morrow from The Shins. Martins four album choices are up next and run with a theme of bands who have not only extensive back catalogues, but exceedingly strong ones that spread decades in some cases. Again, if you are already familiar with them let us know what you think of our choices and why not drop us a list of your top 12 albums of 2012? We’d love to hear yours and might even discover something we missed. – Sam
It’s that time of the year again when music blogs worldwide take a few paragraphs to discuss their favourite albums of the year and make a comprehensive list out of it; who are we to break the trend, so without further ado I present to you the Universal Wax Top 12 of ’12. In no particular order and over the course of three parts, each of us will be taking four of the albums released this year that we are particularly fond of and devoting a few sentences to why you should check it out. If you are already familiar with them let us know what you think, why not take the time to let us know your top 12 albums of 2012? – Sam
Having just released their new album, Santah have a knack for producing music you want to listen to. Feel-good harmonic progressions accompanied by charming vocals produce a somewhat nostalgic classic rock sound, similar to that of Creedence Clearwater Revival.
Since the success of their first album, White Noise Bed (2011), they’ve just released a new album titled, You’re Still A Lover. The 5 track album is a melody of dreamy love songs each with their own heart. The band are from Chicago and have so far only been touring in the states, but I’ve got a good feeling they’ll be making their way over the pond next year.
Andrew Bird’s distinct sound is the reason why I remember first listening to his track A Nervous Tic back when I was 18. Earlier this year his much anticipated album Break it Yourself valiantly galloped its way through music stores and blogs leaving dust clouds of positive reviews. Click here to check out Sam’s review of it.
Andrew Bird has been touring through the summer, and due to the highly positive response to his performances, he decided to record a mixture of reprises from Break it Yourself, along with a few classic Americana folk songs that he had performed. The result is Hands of Glory, another satisfying hit of Andrew Bird goodness.
From the age of 4, he’s been plucking and playing the violin, and so without making obvious comment to the beauty of it in his previous work; getting to hear him cover classic folks songs – especially, If I Needed You makes this compilation extra special. The rendition of Orpheo is another favorite, it’s completely stripped and played so slow that every word and creak of the bow lends itself to producing a more delicate and soothing song.
You can listen to the whole album on the Guardian website here. It’s a great collection of songs that make the perfect soundtrack to your Autumn walks. My only criticism is that I wish at least one track had him whistling!