Often a bands name is a statement of how they see themselves, sometimes it’s simply to grab the attention or to make a statement. Rarely a bands name is so synonymous with the music; a wonderful embodiment of what you hear and what you read on the page (or web browser in this case). Of course that’s all very subjective, and a sweeping statement of sorts, but take a look at that name, Slowly Rolling Camera, before you hit play and take a few seconds to imagine what you are about to hear. Continue reading →
Little introduction is needed for Matthew Cooper, the mastermind behind Eluvium. For 10 years he has produced music that consistently impresses fans and critics worldwide.
His last full length LP (not including his mini album Static Nocturne) was Similes (2010), which for the first time featured Matthew’s vocals. I personally love this album and rate it as highly as his other more notable releases such as, Copia (2007) and Talk Amongst the Trees (2005).
After three years, Matthew has announced that he’ll be releasing a new full length album on May 14th called Nightmare Ending which he describes as a “fully instrumental affair“. So far he has released two tracks from the new album, Don’t Get Any Closer and Envenom Mettle. Continue reading →
I’m getting a sense of Déjà vu here, I swear it was about this time last year I wrote about Magnus Birgersson’s last release under his Solar Fields monicker, Random Friday. As with his prior release Origin # 01 however, this one is a look back in time specifically focusing on the period between 2003 and 2009. Continue reading →
I’ve recently been revisiting some of my favorite ambient artists and making some new discoveries. I thought I’d do a little roundup of what I’ve been daydreaming to for the last week.
Rhian Sheehan & Helios
Keith Kenniff AKA Helios released an album of his previously released songs that have been remixed by a variety of artists. Halving The Compass is one of my all time favourite Helios tracks, and was recently remixed by Rhian Sheehan, an award winning musician from New Zealand. Rhian Sheehan put the ambient scene in awe with his 2008 album, Standing in Silence. I genuinely can’t think of a better composer to remix this track. The pacing and intimate sounds of the piano are perfect.
Directing duo Karni and Saul have collaborated with The Staves to create an absolutely stunning video for the first single from their debut album Dead & Born & Grow (November 2012). It’s wonderfully organic with a mix of techniques including hand drawn imagery and flash animation and gives a brilliant sense of depth and although the woodcut style is obviously an influence it apparently contains no stop-frame animation. It’s a very literal take on the subject and its beautiful animation and quirky characters are charming to behold.
The Staves are off on tour shortly with dates primarily across the UK, with a few European ones thrown in for good measure. Follow this link for a full list. Their debut is out now through Atlantic Records, available in all the usual places.
This is old news if you saw it posted last week, but Bonobo makes a return this April with the release of his new album The North Borders. With the announcement he’s unleashed new track Cirrus as a free download. It’s got real groove and sounds a little more experimental than anything we’ve heard before from Simon. I’m especially looking forward to this one as it’s always been fascinating to see how Bonobo has evolved over the years. The artwork’s brilliant (click on the image to see the hires version for those who don’t want to ruin there eyes). The video for Cirrus is also worth a look with some great visuals that marry to the music perfectly. Don’t forget to do your music library a favour and grab yourself the free single.
The album’s due April 1st (2nd in North America), lets hope it’s not an April fools! There’s also some new live dates to accompany the new album, to make things easy head over to this link for a full (and fairly extensive) listing. Continue reading →
Houses have been very quiet since their debut album All Night (2010). They’re one of my favourite ambient / electronic artist, and I had the pleasure of seeing them live last year in London. Finally there’s some movement from within their den; a video preview of their new album A Quiet Darkness has creeped out, and is due to be released on the 16th of April via Downtown Records. Continue reading →
Here’s a nice midweek surprise, Emancipator will be releasing his new album Dusk to Dawn on the 29th January. Yes it really is that close!
The record drops on Doug Appling’s new imprint Loci Records (which had it’s debut release last month with the rather superb Tor – Drum Therapy). It’s been a while now since 2010’s Safe in the Steep Cliffs and after the extensive touring that followed the album it’ll be nice to hear some brand new tracks starting with the first single Minor Cause. The track is a free download over on the Loci Records bandcamp page and it’s a gorgeous slice of lush downtempo with beautiful instrumentation including the trademark strings, trip hop elements and electronics bubbling around in the background. It’s beautiful and if this is anything to go by January 29th will be an exciting release for Loci Records.
Check out Minor Cause below and head over to bandcamp to grab yourself a copy.
Steve Mason formerly of the Beta Band, Black Affair and King Biscuit Time has announced a new solo album – Monkey Minds In The Devil’s Time. The album has been shaped by the current global political climate and the lack of dissenting voices in music as well as popular culture in general. The follow up to 2010s excellent Boys Outside is due for release March 11th 2013 and features 20 tracks recorded in both London and his own studio in Fife. Continue reading →
Darkstar the northern english electronic music trio return with their new track Timeaway from the forthcoming album News From Nowhere. The group rose to prominence with the 2009 track Aidy’s Girl Is a Computer which was featured on the influential Hyperdub Records compilation 5: Five Years of Hyperdub. The group’s unique sound blended the style of the emerging dubstep movement with an uplifting melodic synth pop edge. Continue reading →