Way Yes – Tog Pebbles [Listen]

Suddenly I have a new favourite band. I love playful music; anything that sounds like fun to make, which is why artists like Animal Collective and Kishi Bashi were instant hits for me. Way Yes are a 5 piece band from Columbus, Ohio, and boy do they know how to produce great sounding music. The first song I heard from them was called Cinnamon, I instantly sent it to my friend and was like, ‘Oh my god it’s Kermit the Frog singing’. The song couldn’t help stretch a smile across my face, but at the same time I was thinking, ‘this sounds bloody good’.


I proceeded to checking out all their other releases. Cinnamon came from their first EP Herringbone, they released a full length album in 2012 called Walkability, and now they have just released their latest album, Tog Pebbles. Like good cheese; their sound has matured from Herringbone (2010), to what is now a cool combo of upbeat and chilled tracks that employ a mix of jungly beats and synthy-pop sounds.


The vocals have taken a step back in the mix too, adding greater importance to the instrumental parts in the songs. Two tracks from Tog Pebbles really stick out for me, Holy Drop and Colerainbecause besides the feel-good crescendos, the lyrics carry an unexpected, meaningful weight . They also have the best album art designed by John Malta. We don’t rate music on Universal Wax, so i’m just going to give this artist my most prestigious seal of approval. Now go check them out!

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Tom’s mixtape: Volume 2 [Listen]

Midnight SunIsaac Delusion

“Isaac Delusion is about two multidisciplinary artists continually exploring new musical landscapes”. This is where techno and folk meet and produce super cool riffs complimented by smooth non obtrusive vocals. It’s going to take a while before I get bored of this track. Their EP Midnight Sun was released this year, and will be closely followed by their second, Early Morning which is soon to be released.


Alone Trampled By Turtles

Trampled By Turtles are set to release their 6th album in November called Stars and Satellites. With their highly successful track record in the Bluegrass scene there’s no doubt it’ll be a hit. Following the formulas of traditional folk and fiddle songs, and using a wide range of instruments their sound is timeless and full of soul.


TomorrowFuture Islands

This artist has quickly become one of my favorites; I could imagine them being a product of David Lynch. I like to think Sam Herring’s voice is a mixture of Tom Waits and Cat Stevens. The band have very recently released a 7″ single, after their successful album, On The Water (2012). The deep repetitive beats and synthy swirls – not to mention Sam’s scream-like roar half way through makes this song as wonderfully weird as the rest of their stuff.


Old FriendSea Wolf

Alex Church has been recording under the name Sea Wolf since 2003, and has been successfully pioneering the solo project since. He has a new album that’s yet to be released called Old World Romance and is currently on tour in the states. This track, Our Friend, is a sneak peak of what’s to come from the new album – and it’s very exciting.


Black & White MountainsSnowblink

Daniela Gesundheit AKA Snowblink has an extremely listenable voice. It’s the simplicity of this track that had me hooked. Delicate layers of beats and synths overlaid with vocals which sound a bit like Amiee Mann make it so enjoyable.


Can’t Get Enough The Sweet Serenades

I love the voice at the beginning of this song, it sounds like a burp. A band that’s descibed as, “Hip swaying, knee twisting, & finger snapping goodness”, this is a good wake up and walk to work track. The Swedish band’s manifesto of creating ‘unpretentious pop songs that make you feel cool’, doesn’t let you down here.


These Days (Jackson Browne)Pandit

Pop tunes infused with ambient and experimental texture, Pandit is the work of Lance Smith. I haven’t heard a bad song from this guy, and considering These Days is one of my favorite songs, Pandit’s cover is spot on. He has a new EP coming out at the end of the month, so keep an eye out for that.


Hang on to Me (Daytrotter) The Wooden Sky

I’m a huge fan of the Daytrotter Sessions, they often bring out better, more heartfelt sounding recordings than the originals. This is definitely the case with this Wooden Sky track. Taken from their latest album, Every Child a Daughter, Every Moon a Sun (2012), Hang on to Me is just one of the many great tracks from the album.


JitterDakotafish

Their synth-pop beats have a similar sound to Pheonix. This track is taken from the 2011 album, Many Moons. It’s a good track to stick on as a party winds down and the sun rises.


Miracle (Ghost Beach Cover) – TRAILS AND WAYS

Here’s something different; Brazilian shoegaze. I actually prefer this version of the track to the original Ghost Beach track. Covers can often come off as sounding like the original with less instruments and slightly awkward vocals, but when a band gets it right – it can transform a song into their own which is exactly what they’ve done.


New TheoryWashed Out

Since 2009, Ernest Greene’s project has received a constant stream of positive reviews. This track, New Theory comes from his first EP, Life of Leisure which launched him. 2011 saw the release of Within and Without, his first full length album which received startling reviews all round. 


Utah All Human

This is a random Bandcamp find, with similar vibes to Imaginary Johnny, this is an easy song to get into. He’s currently touring the states with his new album, Catholic Guilt or the Queerest of Thoughts.


Wally Wilder Delicate Steve

Steve Marion has flooded blogs recently with Positive Force. His music sounds as though he wrote lyrics and then decided the guitar should sing them. It’s cocktail of Ratatat and Animal Collective.



Golden PalmsHORSES / Bronson

Short and sweet, this track encompasses all that’s great about low-fi songwriting. Although it seems Patrick Ebermann’s project HORSES has evaporated. Now appearing under the name Bronson, the album Paper Tusk was released in 2011 and Golden Palms on this is different to the original – a bit overworked in my opinion. Here’s the original.


Little Dreamer (Future Islands Cover) – Doe Paoro

This one’s a grower, resist yourself from skipping it before the first minute. The sparse piano and seldom drums slowly intwine themselves into a beautiful melody which Doe Paoro sings through. The original song naturally has unusual vocals from Sam Herring, and so this Kate Bush sounding twist fits perfectly.


Says ElliottSibylle Baier

Sibylle Baier is a German folk singer, she sounds like a sad Nico – and I mean that in the nicest possible way. I love this song, its intimate sound makes you hang on every word. She’s quite a mysterious person, the homepage of her website reads:

I (her son Robby) set this site up for my mother…Sibylle will most likely never see this site. She is really quite perplexed by all the attention that her album “Colour Green” has gotten. My father keeps telling her about all the pages and articles that are out there, but she, though smitten, prefers to hear about her accolades through the eyes and ears of her family. The web makes her dizzy, I think.


Kishi Bashi – 151a [Listen]

“Grand and transcendent… the layers of beautiful sound, homage to Japanese culture, and use of violin make 151a a dreamy, pocket-sized symphony, perfect for anyone needing a lift.”
BUST

This artist has jumped to the top of my ‘most played’ this summer. Kishi Bashi, aka K Ishibashi is a solo artist who has toured with the likes of Of Montreal, and is also a founder of the NY indie rock band, Jupiter One. Now going solo, K Ishibashi has produced something fresh, new and wonderfully weird. From listening to the first intro track on his debt album, 151a, you wouldn’t expect what would follow.


It’s electronic, folky, classical – a tornado of musical goodness that’s entertaining from the beginning to end. Drawing from his classical routes as a violinist, K Ishibashi conjures a melody of genres, which I can only compare to an artist such as Animal Collective. He mixes up English and Japanese in his lyrics, which add to the sometimes manic feel to the songs. The transition from each track to the next leaves you wanting more of his feel-good musical world he creates.


The birth of this album was conceived through a Kickstarter campaign – a site where entrepreneurs, filmmakers, musicians etc pitch their project and rely on the support of the public to donate money to fund it. Ishibashi’s target was $12,000, and within three weeks he raised $20,000, an impressive achievement, and one that paid off. Since the album’s release in April, Ishibashi has been impressing critics and the public with his live loop-based performances.

“The way I create my loops, I just kind of — they’re not exact. So a lot of it has to do with a feeling and it might be faster, I also like changing things up, so I’ll change things and kind of make it different, and I also like the audience to have a different experience.”
KISHI BASHI – RIVERFRONT TIMES

The album is diverse and unexpected. It paints a picture of both joy and melancholy, and it leaves you feeling great. Ishibashi is currently on tour around the US, and is yet to pencil in anything for Europe. You can get your hands on his album here.