So after a whole month of not posting anything, it seemed like the right time to to compile one of my mixtapes. I’ve tried to keep it quite current, however I couldn’t help from posting some stuff from the last couple of years that may have gone unnoticed – or at least I completely missed until now. So without further ado, let’s kick off with Francois and the Atlas Mountains. Continue reading
Little introduction is needed for Matthew Cooper, the mastermind behind Eluvium. For 10 years he has produced music that consistently impresses fans and critics worldwide.
His last full length LP (not including his mini album Static Nocturne) was Similes (2010), which for the first time featured Matthew’s vocals. I personally love this album and rate it as highly as his other more notable releases such as, Copia (2007) and Talk Amongst the Trees (2005).
After three years, Matthew has announced that he’ll be releasing a new full length album on May 14th called Nightmare Ending which he describes as a “fully instrumental affair“. So far he has released two tracks from the new album, Don’t Get Any Closer and Envenom Mettle.
I’ve recently been revisiting some of my favorite ambient artists and making some new discoveries. I thought I’d do a little roundup of what I’ve been daydreaming to for the last week.
Rhian Sheehan & Helios
Keith Kenniff AKA Helios released an album of his previously released songs that have been remixed by a variety of artists. Halving The Compass is one of my all time favourite Helios tracks, and was recently remixed by Rhian Sheehan, an award winning musician from New Zealand. Rhian Sheehan put the ambient scene in awe with his 2008 album, Standing in Silence. I genuinely can’t think of a better composer to remix this track. The pacing and intimate sounds of the piano are perfect.