Welcome back for part two of the Universal Wax Top 12 of ’12. Our twelve albums of the year and why you should check them out. Part One covered Sams four albums of the year which included Beth Orton and her wonderful return with Sugaring Season, De La Mancha The End* of Music, Lilacs and Champagnes self titled debut and finally the outrageously catchy Port of Morrow from The Shins. Martins four album choices are up next and run with a theme of bands who have not only extensive back catalogues, but exceedingly strong ones that spread decades in some cases. Again, if you are already familiar with them let us know what you think of our choices and why not drop us a list of your top 12 albums of 2012? We’d love to hear yours and might even discover something we missed. – Sam
Chris Helme returns with The Rookery, the follow up to the 2008 excellent long player Ashes. Helme is most famous for being the frontman in the post Stone Roses band The Seahorses created by John Squire. Squire had found Helme when one of his longtime guitar technicians discovered him busking outside a shop in York city center. The Seahorses released their album Do It Yourself in 1997 and instantly shot to fame on the back of the then flourishing britpop scene and the prominence granted by John Squire being in the band. After three hit singles and two years of successful touring the band fragmented whilst writing their second album, mainly due to clashes between Helme and Squire over the new material.
Now with the legacy of The Seahorses fading, especially with the reformation of the Stone Roses getting so much attention, it is great to see Helme forging ahead with his solo career.
Returning with a beautiful and more mature tone, the new album follows on from Ashes with a dreamy indie-folk sound, slightly reminiscent of The Coral and early Gomez. The opening track is the instrumental Pickled Ginger, an almost perfect piece of english folk leaving the britpop days of The Seahorses as a distant memory. As the album grows, simple arrangements are bolstered with the gentle use of a string quartet and confident songwriting.
The track Plane demonstrates this beautifully and is a highlight of the first part of the album, showcasing Helme’s soulful vocal talent.
Listen to a clip of Plane below:
This is then followed by the excellent The Spindle And The Cauldron which adds a hint of early Led Zeppelin to the mix, with suitable melancholic vocals about an ethereal mysterious girl at his window.
Listen to a clip of The Spindle And The Cauldron below:
The track Pleased steers the sound in a further bluesy direction with Daddies Farm adding a upbeat edge to proceedings and Set In Stone bringing back the subtle orchestration. The rich layered production of the whole album really compliments Helme’s vocals and it’s amazing to believe that the whole record was produced in just nine days in the Yorkshire dales.
This is a great album, a gentle, laid back journey, expertly crafted with a good mix of soulful ballads and melodic acoustic rock – all held together with some thoughtful lyrics and excellent vocal talent.
Helme has also announced a series of gigs around the country and is well worth seeing live. More information at chrishelme.co.uk
Sep 2nd – Alt.Fest, Fulford Arms, York
Sep 6th – Fulford Arms, York (with Mark Morriss of the Bluetones)
Sep 7th – Ku Bar, Stockton (with Mark Morriss of the Bluetones)
Sep 8th – The Acoustic Gathering, Scarborough
Sep 21st – Burns, Irvine
Oct 2nd – Surya, Kingscross, London
Oct 7th – Rock Your Mind Festival, Middlesbrough
Oct 12th – Kings Hall, Herne Bay (with Simon & Oscar of Ocean Colourscene)
Nov 3rd – Venue Cymru, Cardiff
Nov 4th – Hare & Hounds, Birmingham
Nov 9th – Voodoo Rooms, Edinburgh
Nov 10th – Tollbooth, Stirling
Nov 23rd – The Square, Harlow (with Mark Morriss of the Bluetones)
Dec 22nd – Cumbernauld Town Hall, Cumbernauld, Scotland (with Mark Morriss of the Bluetones)